Back in the USSR
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I’ve just finished reading two books on Russia, well, actually the old
USSR, set 30 years apart — one in the 1960s, and the other in the 1990s
when the USS...
6 years ago
Simple links to other blogs that I want to remember
If you watch and read the Australian media, whether it be the television news or discussion programs like Insiders and even Mediawatch, it's taken as read that chemical weapons were dropped by Bashar al Assad's Syrian government warplanes.
It's as if there's no memory of the weapons of mass destruction lies the American, British and Australian governments told us before the 2003 Iraq invasion.
Did you know that Easter was originally a pagan festival dedicated to Eostre, the Anglo-Saxon goddess of spring, whose consort was a hare, the forerunner of our Easter bunny? Of course you did. Every year the fecund muck of the internet bursts forth afresh with cheery did-you-know explanations like this, setting modern practices in a context of ancient and tragically interrupted pagan belief.
The trouble is that they are wrong. The colourful myths of Eostre and her hare companion, who in some versions is a bird transformed into an egg-laying rabbit, aren't historically pagan. They are modern fabrications, cludged together in an unresearched assumption of pagan precedence.
Today, because Trump and his administration are now committed to convincing Americans that Assad really was responsible for Tuesday’s poison-gas tragedy, the prospects for a full and open investigation are effectively ended. We may never know if there is truth to those allegations or whether we are being manipulated by another “wag the dog” psyop.
Postmodernism presents a threat not only to liberal democracy but to modernity itself. That may sound like a bold or even hyperbolic claim, but the reality is that the cluster of ideas and values at the root of postmodernism have broken the bounds of academia and gained great cultural power in western society. The irrational and identitarian “symptoms” of postmodernism are easily recognizable and much criticized, but the ethos underlying them is not well understood. This is partly because postmodernists rarely explain themselves clearly and partly because of the inherent contradictions and inconsistencies of a way of thought which denies a stable reality or reliable knowledge to exist.
Among those detained and beaten by police forces was Gregory Hill, the underage son of an Orthodox priest and a British subject who was not part of the protesting crowd and whose only fault was failing to produce his papers immediately upon request. In the words of his mother, “Grisha [Gregory] is bruised because one policeman was holding his head to the ground, while the other kicked him in the groin and ribs. We are shocked by the comments from the city government that police reacted in a competent way and ensured security in heavily crowded areas. I very well see that ‘competence’ on Grisha’s face.” (Sergei Chapnin)
In fact, several passages from Schmemann came back to mind in reading Dreher, whose book fixates on same-sex marriage and gender issues to an unhealthy and unhelpful degree. None seems more acute or appropriate than this one: In March 1976 during Lent, Schmemann wrote: "Students' confessions. Always sex. I am beginning to think that this sin is useful; otherwise they would consider themselves saintly and plunge into guruism." Dreher's entire project reeks of guruism.
There is a preference in the media’s political coverage – and in political campaigning altogether – for symbol and personality over policy and fact. The media coverage of Corbyn, who despite being an MP and unusually active campaigner for over thirty years had not much figured in the press until the leadership contest, has been by any measure persistently negative.
Meanwhile, other leading clerics, spearheaded by Bishop Amvrosios of Kalavryta and Bishop Seraphim of Piraeus, have made no secret of their support for Golden Dawn.
Seraphim has often spoken out in public against Jews and homosexuals. For his part, Amvrosios recently called on Golden Dawn officials to change their style so as to boost their ratings.
A congressional inquiry placed the blame for the 2008 financial crisis squarely at Greenspan’s feet, and, under questioning by members of the House, Greenspan admitted that there must have been “a flaw” in his Randian worldview.
A flaw, yes, but where did it really come from?
The answer will surprise even the most avid Rand fans. The fundamental idea underlying her objectivism was a twin ideology known as rational egoism—the belief that rational action always maximizes self-interest. And Rand, who wielded the phrase “second-hander” as a cudgel against her enemies, had herself borrowed this idea from the scribblings of her countryman, a Russian writer named Nikolai Chernyshevsky, whose 1863 utopian novel, though critically mocked, became an inspiration for Rand’s generation of the early 1900s.
Linking Global Voices serves the global missions community by focusing on the unique role of networks.
We live in an unprecedented period of mission history. The new paradigm of “from anywhere to everywhere” is by nature complex, resulting in an increasing need to partner with others for effective ministry. Networks are a strategic tool for ministry leaders navigating the complexities of the globalized world of missions. Mission minded churches and agencies are developing their "network engagement strategy". Healthy networks facilitate the sharing of resources and are constantly birthing partnerships.
In Biryani, boath the meat/vegetables and rice are cooked separately and then they are layered and baked during cooking. The process also lives up to the name Biryani in Persian meaning 'fry before cooking'.
In Pulao, the 'meat/vegetables and rice are stirred' before cooking and both are cooked together without any layer formation.
Tehri is a vegetarian dish prepared by cooking rice with potatoes. Other vegetables may also be added to it. It is common in Uttar Pradesh, India.
Watts uses the phrase “little boxes made of ticky-tacky” to describe the homogenizing and perilous effect of the American quest for dominance over “nature , space, mountains, deserts, bacteria, and insects instead of learning to cooperate with them in a harmonious order.” The following year, Malvina Reynolds used the phrase in the lyrics to her song “Little Boxes”, which satirizes suburbia and the development of the middle class. The song became a hit for Pete Seeger in 1963 and was used by Showtime as the opening credits score for the first three seasons of Jenji Kohan’s Weeds.